The Meaning of the Piece
This piece, as well as others from the series, is said to represent the futility of the human experience for those consumed with rampant consumerism and the rat-race writ large. The figures, a trio of men rushing somewhere, carrying their briefcases full of objects
of questionable worth, are interlocked, perhaps suggesting a shared delusion of hyper individualism as well as a panicked need to outperform all others.
The decade from 2000 to 2010 saw Jamieson complete a series of steel sculptures for public spaces, many of which reflect the "running man" or "running woman" theme. There is a much smaller piece from this series installed at Peace Arch Park on the Canada / US border.
Additional public art pieces are found up and down the west coast of the US as well as in France.
Other Cultural District Pieces
Rhapsody: Robert Dow Reid, 1993
I Had a Dream: Zhao Lei, 2002
On the Beach: Geert Maas, 2002
Bear: Brower Hatcher, 2010
Running Man: Marion-Lea Jamieson, 2002
Flexible Curves: Tommie Gallie, 1986
Spirit of Kelowna: Geert Maas, 2008
Sentinel: Dawn MacNutt, 2002
Okanagan Sunflowers: Jo Scott-B, 2002
Circle of Friendship: Geert Maas, 1997
W.A.C Bennett Memorial Courtyard & Clock Tower: Hartley & Turik Architects, 1981
Military Museum Murals: Larry Hunter, Michelle Loughery, 2002-2013
Natural Language: Jennifer Macklem, Kip Jones, 2000
The Valley: Ron Hart, Michael Fugeta, 2017
Fruit Stand: Glen Andersen, T.S. Thomas, 2002
Concept to Creation: Diane Gorvin, Philip Bews, Jonathan Yeltatzie, 2002
Skagway: Robert Murray, 1976-1977
Elemental: Crystal Przybille, 2000
The Conductor: Ken Curley, 2012